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A Conductor Wields a Baton Across Cultures

The conductor Rossen Milanov balances two approaches when leading an orchestra.

“I’m a Slavic person,” said Mr. Milanov, who was born in Bulgaria. “I don’t know whether it’s cliché or not to say so, but certainly we like to wear our hearts on our sleeve.”

“On the other hand,” he said before a recent rehearsal of the Princeton Symphony Orchestra, of which he is the music director, “I was trained by a German professor, and that approach is a little more rational. So I have a certain connection to the emotional intensity of a piece, but I work hard to put it in a rational frame. There’s a cohesion that happens.”

Cohesion — the ability to fuse disparate parts — has been a motif of sorts for Mr. Milanov’s tenure at the Princeton Symphony, which will perform “La Noche Española,” a Spanish-themed concert, Jan. 19 at the Richardson Auditorium on the Princeton University campus. Since taking over in 2010, he has worked to enhance the musical experience for what he called his “highly intelligent, sophisticated audience here” by weaving additional learning opportunities into the group’s concerts.

“We have a unique type of audience in Princeton that wants to be challenged intellectually, to explore things as deeply as they can be explored,” Mr. Milanov said in an interview at the Princeton Public Library. Thus Mr. Milanov will lead a preconcert talk about a 2012 concerto by the Spanish composer Óscar Navarro that the orchestra will perform with the Spanish clarinetist Jose Franch-Ballester during “La Noche Española.” The talk will touch on other pieces to be performed, including Spanish-inspired works by Maurice Ravel, Emmanuel Chabrier and Claude Debussy.

For Mr. Milanov, “La Noche Española” also offers the chance to celebrate his own appreciation of Spanish culture. In addition to leading the Princeton symphony, he is in his second season as principal conductor of Orquesta Sinfónica del Principado de Asturias in Oviedo, Spain. He said that ever since he started in Oviedo he had wanted to present the concert in Princeton.

“I believe very strongly in this idea of cultural cross-pollination,” Mr. Milanov said. “Spaniards, from Cervantes to all their fantastic painters to their medieval history to their more current history, have influenced so much of the world.”

Mr. Milanov, who will turn 49 on Jan. 13, may be better qualified than most to say so, since in addition to leading 10 concerts a year in Princeton and 25 with the Spanish orchestra, he routinely travels the world as a guest conductor. “Last year I was on five different continents,” he said.

His brother and father live in Bulgaria, and he has no family in Philadelphia, where he has lived since 2000. “The orchestra becomes your family. You become like their father,” he said.

Behind the music stand, during a recent rehearsal, he was an encouraging father. “Very nice, lovely as always,” he said, addressing the musicians during a break.

At the same time, he can be demanding; for example, most Princeton concerts include at least one piece composed within the last 50 years.

“He takes risks. He’s not afraid to explore, and that energy translates to the orchestra and to the audience,” said Kiri Murakami, a violinist who recently moved to San Francisco but continues to travel to New Jersey for concerts, and serves as the orchestra’s general manager.

Mr. Milanov’s paternal leanings may be especially apparent in a third group he leads. Symphony in C, based in Camden, is a training orchestra to allow musicians who are either students in college music programs and conservatories or recent graduates to “hone their work,” as he put it. “They’re all young people,” said Mr. Milanov, who has been the music director there for 14 years.

                           “Most of the time, my job at Symphony in C is to say, ‘O.K., let’s pace ourselves,’ 
he said, citing the young players’ “excessive enthusiasm.”

“Their level of playing is unbelievable,” he said. But he added: “They’ve been trained to be solo players, to tackle big repertoire written for solo instruments. Playing in an orchestra is more like a team sport. It’s a very different experience.”

His own background helps him understand the difference. Mr. Milanov, who arrived in the United States from Bulgaria in 1990, started playing the oboe as a 15-year-old. He earned a master’s of music degree in oboe performance from Duquesne University in Pittsburgh in 1992, then a diploma in conducting from the Curtis Institute of Music in Philadelphia, and a master’s degree in orchestral conducting from the Juilliard School.

He was a professional oboist for six years in the 1990s, at the same time his conducting career was picking up speed. “So I know how it feels to be on both sides of the conductor’s stand,” he said. His choice to remain on the side facing the musicians stems from a pair of ineradicable personality traits, he said.

“As a child, if someone brought me a toy I would pull it apart. I wanted to open every watch we had at home and see how it was put together. Playing the oboe was a wonderful experience, but it was still playing only one line,” he said. “I’m fascinated by complexity.”

“The bigger part of it is, I’ve always liked to organize people,” he said. “It’s a quality that helps you as a conductor, because you have to be able to inspire people.” The inspiration is mutual, he said. Sometimes the musicians “give me everything, and when this happens I am very grateful, very happy,” he said.

“I like to give everything, but I also like to receive everything,” Mr. Milanov said. “That’s when the music becomes magic.”

Permalink: http://camdenwaterfront.com/news/conductor-wields-baton-across-cultures


 

Newsworks Reports: Camden New Year's Eve celebration

In the Philadelphia region, the biggest fireworks display is over the Delaware River. This year's fireworks were sponsored by the SugarHouse Casino and included an early 6 p.m. fireworks show and the traditional midnight celebration. 

The best views of the fireworks are on the Camden side of the Delaware River because the Philadelphia skyline provides an impressive backdrop for the fireworks. But it also works out nice for families that the Adventure Aquarium hosts a family-friendly celebration inside till 8:30 p.m. 

This year, we sent photographer Bas Slabber to cover the early celebration in Camden. Enjoy our photos and Happy New Year from all of us at NewsWorks. 

See pictures here.

Philly.com Reports: 'Tis the season for Scuba Santa at Camden's aquarium

Scuba Santa

The jolly guy in the red suit ain't just at a mall near you. He's also sharing a 760,000-gallon tank with great hammerhead sharks at our local aquarium. See him thrice on weekends (10:45 a.m., 12:30 and 2:30 p.m.), once on weekdays (11:15 a.m.). Open 365 days a year, Adventure offers other holiday treats on weekends and Christmas week that include falling snow and visits from a friendly Abominable Snow Monster (11:30 a.m. and 3:45 p.m.), giving visitors a bit more bang for their bucks.

Adventure Aquarium, 1 Riverside Dr., Camden, 10 a.m.-5 p.m. daily (show times subject to change, holiday events through Jan. 1), $18.95-$27.95 (under 2 free), 856-365-3300, adventureaquarium.com.

Read more at http://www.philly.com/philly/entertainment/20131213__Tis_the_season_for_Scuba_Santa_at_Camden_s_aquarium.html#xeqK9eWklZEyUW5X.99



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